Here are some of them:

DEADLINE, Pete Hammond:

“Channing Tatum & Kirsten Dunst Triumph In Incredible Real-Life Story That Becomes One Of 2025’s Best Movies”
“It is the role of a lifetime for Tatum, who delivers a performance of charm and complexity playing an exceptionally smart and inventive veteran being tossed aside now… This is a perfect role for Tatum, who most recently charmed in Dog and The Lost City, both proving his box office prowess. Here he takes it to new levels playing a flawed and complicated man, in real trouble, but one we root for no matter what. It is one of those roles where after you see it you cannot imagine another actor doing it as well.” 

“(Dunst) is an actress who seems incapable of a false note, and she and Tatum have the magic, a chemistry you can’t fake that makes this impossible situation all the more heartbreaking.” 

VARIETY, Peter Debruge:

“It’s the through-the-roof chemistry between the two leads that makes the film worthy of repeat viewing. Tatum affected swagger has eased into a natural confidence, while Dunst brings just the right amount of wariness to a woman who’s devoted to her kids and devout in her faith.”

THE WRAP, Steve Pond:

“It’s easier to shrug off that string of felonies if the felon is played by the effortlessly charming Tatum, who somehow gets us to believe he’s just a little misguided.”

“Roofman” has it both ways; it’s funny and foreboding, sweet and troubling, light on its feet but with an inescapable undertone of uneasiness, even dread.”

VARIETY, Brent Lang:

“Indeed, “Roofman” toggles between showing the joy of Manchester’s heists, as well as the tragic consequences of his criminality, allowing Tatum and Dunst to chart expansive emotional arcs in performances that are sure to be talked about throughout awards season.

THE HOLLYWOOD REPORTER, Scott Feinberg:

“a career-best turn from Tatum, who hasn’t had a showcase of this quality since 2014’s Foxcatcher, and who makes a strong case for a best actor Oscar nomination, which would be his first-ever recognition from the Academy. Dunst, too, is worthy of a serious look in the best supporting actress Oscar contest, in which she was previously nominated for 2021’s The Power of the Dog.”

MR. WILL WONG, Nicholas Proteous:

“Roofman succeeds as a comedy, a romance, a moving story of found family, and an unpredictable crime saga. It’s a brilliant and surprising genre mashup for Cianfrance, and a worthy addition to your list of must-sees at this year’s Festival.”

“Tatum, as Jeffrey Manchester, is one of the most entertaining characters in recent memory.”

THE TORONTO SUN, Mark Daniell:

“‘Roofman’ is the type of movie that people who enjoy a night out at the cinema are really going to dig. Channing Tatum and Kirsten Dunst looked like they had a ball making this. Heartwarming and heartbreaking at the same time — this is the perfect fall movie.”

NEXT BEST PICTURE, Ema Sasic:

“ROOFMAN plays into all of Channing Tatum’s strengths: His charm, comedy chops, athleticism and sincere on-screen presence. Once Kirsten Dunst enters the picture, Derek Cianfrance hits us with another romance that builds lovingly, until hard truths hit hard in the end” 

IN SESSION FILM, Shadan Larki:

“Channing Tatum is the best he's ever been in ROOFMAN. This feels like the performance he's been waiting to give his whole career.”

Prorom is releasing Roofman in Romania (on October 10), Bulgaria (October 10), Hungary (on November 27) and Czech Republic & Slovakia (on October 9).

Bald Is the New Black / Certains l’aiment chauve, directed by Camille Delamarre, brings to the screen a big-name cast: Kev Adams, Michaël Youn, Rayane Bensetti, Chantal Ladesou, Faustine Koziel and Clara Joly.

In a world where image matters more than ever, a young man desperate to keep his hair ends up... embracing baldness with style! A savory satire about appearances, beauty standards and self-acceptance, told with 100% French humor.

Distributed by Prorom and Ro Image, Bald is the New Black is the perfect film for a healthy dose of laughter – only in cinemas, from August 22!

Starring Marilou Berry, Isabelle Nanty, Barbara Bolotner and Neva Kehouane.

The film tells the story of a nun who arrives in the heart of the city and, without her will, becomes a real sensation. A delicious mix of humor, emotion and unexpected situations, perfect for a summer evening at the cinema!

Don't miss the premiere – only in cinemas, from July 25th!

Currently in post-production for a 2026 release, the drama retells the true story of a youngster raised by ostriches in the Sahara.

The Desert Child follows Maistre’s hit Autumn and the Black Jaguar, which grossed $30M at the international box office, and upcoming release Moon The Panda, which hits French and Eastern Europe cinemas this April.

Moon the Panda will be released in Hungary (on April 10), Romania (on April 11), Czech Republic and Slovakia (on April 24) by Prorom.

„Over the years, our local audiences have truly fallen in love with Gilles de Maistre’s movies. So we are very happy that after Mia and The White Lion, The Wolf and The Lion and Autumn And The Black Jaguar, we can soon enchant children and adults alike with The Desert Child” says Axel Böhm, Co-Managing Director at Prorom.

As with most of Maistre’s previous features, which also include The Wolf and the Lion and Mia and the White Lion, the The Desert Child involves working with children and real-life animals, in this case ostriches and young Fennec foxes.

Prorom released all of this titles in Romania, Hungary, Czech Republic and Slovakia with a combined box-office of over $1.8M (source: box-officemojo.com).

The Desert Child is produced by StudioCanal and Catherine Camborde at Mai-Juin Productions, a Mediawan company. StudioCanal is handling international sales and will also release the film theatrically in France.

Source: Deadline.com.

Image©2025 - Mai Juin Productions – StudioCanal – Umedia Production.

Prorom bought two Spanish comedies from Latido Films (Who Is Who? and Babies Don’t Come With Instructions).

“Prorom is expanding the slate of European comedies with Spanish movies and we’re happy to have established a partnership with Latido Films for this purpose” says Axel Böhm, Co-Managing Director at Prorom.

”Berlin was good for us and the main takeaway is that the market is really fluid, changing continuously and nothing is permanent: our advantage is precisely that we handle great movies and have diversified our content and finally find the right buyer for the right film,” said Latido Films CEO Antonio Saura for Variety.

Marina Seresesky’s Paco León-starred Babies Don’t Come with Instructions, is a redo of Eugenio Derbez’s megahit Instructions Not Included.

Another Spanish comedy, Martín Cuervo’s dysfunctional family story Who Is Who (in photo), with Elena Irureta (Patria), Kira Miró (Everybody Does It) and Salva Reina (The 47), will also travel to Eastern Europe via Prorom.

Based on the short story by Stephen King and produced by James Wan (The Conjuring, Saw), The Monkey is a new journey into dark worlds from Longlegs writer and director Osgood Perkins.

When twin brothers find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart. 

Twenty-five years later, the monkey begins a new killing spree, forcing the estranged siblings to confront the cursed toy.

Prorom released The Monkey in Romania and Bulgaria (on March 7), Hungary (on February 27), Czech Republic, Sloavakia, Serbia, Slovenia and Croatia (on February 20).